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作 者:刘雪姣 LIU Xuejiao(School of Humanities,Zhejiang Normal University,Jinhua 321004,China)
出 处:《美育学刊》2024年第4期80-86,共7页Journal of Aesthetic Education
摘 要:在“五四”新文化运动时期,随着西方艺术理论以及文艺思潮的不断涌入,新的设计理念、艺术表现手法也随之渗透到了我国美术及书籍封面设计领域。通过考察“新艺术运动”、立体主义运动、未来主义画派、超现实主义画派以及构成主义运动等西方现代艺术流派,不难发现这些艺术流派及其思想在本土文化的融合与转换下,为现代文学书籍封面设计注入了鲜明的“现代”气息与时代特色。此外,随着我国绘画艺术与装帧艺术的发展,丰富多样的书籍封面图案逐渐与内容发生多重关联,体现出融合艺术性与思想性的审美特征。During the May Fourth New Culture Movement,with the continuous introduction of Western art theory and literary trends,new design concepts and artistic expression techniques also penetrated into the field of art and book cover design in China.By studying Western modern art schools such as the“New Art Movement”,Cubism Movement,Futurism School,Surrealism School,and Constructivism Movement,it is easy to find that these art schools and their ideas have added a distinct“modern”atmosphere and contemporary characteristics to the design of modern literary book covers under the integration and transformation of local culture.In addition,with the development of painting and binding art in our country,the rich and diverse book cover patterns gradually have multiple associations with content,reflecting the aesthetic characteristics of integrating the artistry and the ideological content.
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