“时代群像——中国水彩人物画展览”中的人民叙事  

Narrative for the People in the “Group Images of the Times: Chinese Watercolor Figure Painting Exhibition”

作　　者：段晓东 Duan Xiaodong(Zhejiang Art Museum)

机构地区：[1]浙江美术馆

出　　处：《美术》2024年第7期28-32,共5页Art Magazine

摘　　要：图像叙事是中华人民共和国成立以来美术创作中的重要内容,而又以“为人民叙事”作为创作的主要范式,在中国水彩画家中拥有着广泛影响,成为图像叙事的典范。“时代群像——中国水彩人物画展览”的举办,使中国水彩人物画得到一次全面的展示。本文对展览中出现的历史题材、生活题材、人物题材作品进行评述,以期为今后的中国水彩人物画创作提供有益借鉴。Image narrative has been an important part in artistic creation since the founding of the People's Republic of China in 1949. In particular, “narrative for the people”, as the main paradigm of creation, has had a wide ranging influence on Chinese watercolor painters and has become a model of image narrative. The “Group Images of the Times: Chinese Watercolor Figure Painting Exhibition” has provided a platform to fully display Chinese watercolor figure paintings. This article comments on artworks in historical, life, and figure themes of this exhibition, in the hope to provide inspiration for Chinese watercolor figure painting creation in the future.

关 键 词：水彩人物画 人民叙事 创作范式 

分 类 号：J215-28[艺术—美术]