从民族遗产出发——潘絜兹“新国画”转向探赜  

Starting from National Heritage:Exploration of Pan Jiezi's Shift to"New Chinese Painting"

作　　者：王成国[1] Wang Chengguo(Chinese National Academy of Arts)

机构地区：[1]中国艺术研究院

出　　处：《美术》2024年第7期86-95,共10页Art Magazine

摘　　要：在20世纪50年代的新国画运动中,传统派画家们面临着思想的改造和艺途的革新,潘絜兹即是其中具有代表性的一位。本文围绕潘絜兹的艺途之变展开,通过考察艺术家早年的艺术之路,揭示其坚定而温和的传统主义主张,探索在20世纪50年代国画改造的复杂语境中,潘絜兹是如何调动既有的艺术资源,去处理民族艺术遗产接收所涉及的旧题材与新内容、临摹与写生的关系等问题。In the new Chinese painting movement of the 1950s,traditional painters were faced with changes in thoughts and artistic careers,among whom Pan Jiezi was a representative.This article discusses changes in Pan's artistic career.By examining the painter's early artistic path,it reveals his firm but moderate advocacy of traditionalism,and explores how he mobilized existing artistic resources to deal with the relationship between old themes and new content,copying and sketching concerning national artistic heritage,given the complex environment of the transformation of Chinese painting in the 1950s.

关 键 词：潘絜兹 敦煌壁画 民族遗产 新国画运动 

分 类 号：J212[艺术—美术]