蓝色郁金香——17世纪上半叶克拉克瓷“外国花卉”的图像交融  

Blue Tulips:The Image Fusion of"Overseas Flowers"on Kraak Porcelain in the First Half of the 17th Century

作　　者：吴若明 Wu Ruoming(School of Literature,Nankai University)

机构地区：[1]南开大学文学院

出　　处：《美术》2024年第7期127-135,共9页Art Magazine

基　　金：国家社科基金艺术学一般项目《中西陶瓷艺术交融图像史研究(1553—1858)》(项目编号:23BG118)的阶段性研究成果。

摘　　要：17世纪上半叶,以钴蓝色釉料绘制的“外国花卉”成为外销青花瓷中盛行的图像,特别是克拉克瓷“蓝色郁金香”图案广泛流行于荷兰市场。花卉图像的变迁与17世纪30年代荷兰的“郁金香热潮”有何种关联?17世纪荷兰静物画中频频出现的郁金香、荷兰釉陶砖上的郁金香、中国外销瓷花卉图像中的东方构图与蓝色偏好,共同演绎了东西方花卉绘图传统间的互动与交融。蓝色郁金香,不仅反映了一种花卉纹样的地域传播和图像流动,更发展为一个全球贸易时代背景下的艺术表征。"Overseas flowers"painted with cobalt blue glaze became a well-liked image in exported blue and white porcelain in the first half of the 17th Century,in particular"blue tulip"patterns on Kraak porcelain that were widely popular in the Dutch market.What is the connection between changes in flower images and the"tulip craze"in the Netherlands in the 1630s?In the 17th Century,tulips that frequently appeared in Dutch still life,those on Dutch glazed pottery tiles,and oriental composition and blue preference in flower images of exported Chinese porcelain demonstrated the interaction and fusion of eastern and western flower painting traditions.Blue tulips not only reflected the spread of a flower pattern and the flow of images across regions,but became an artistic representation in the era of global trade.

关 键 词：克拉克瓷 外国花卉 郁金香 荷兰 

分 类 号：J537[艺术—艺术设计]