苏州虎丘黑松林墓地97M4出土石屏功能探析  

A Study of the Function of the Stone Screen Excavated from 97M4 at Heisonglin Cemetery,Suzhou

作　　者：王子涵 Wang Zihan

机构地区：[1]同济大学人文学院

出　　处：《艺术与民俗》2024年第2期84-91,共8页Journal of Arts and Folklore

摘　　要：苏州虎丘黑松林墓地97M4出土石屏是三国时期画像的珍贵资料,学界对石屏上人物图像的识别和阐释尽管各不相同,但均将其功能指向汉唐画史叙述中的规鉴传统。然而,历史人物图像的功能在不同材料和语境中可能发生改变,黑松林石屏的功能是否指向规鉴,需要结合其原境重新思考。石榻、石案、石屏的组合尽管也见于其他墓葬,但97M4中石构件的陈设与墓室平面布局具有更高的契合度。分析屏风使用的历史以及石屏图像中的重要元素可知,在具有“情境性”的墓室空间中,石屏可能被赋予祭祀与家居的实用功能,并通过与图像的结合传达出超越大限的期望。The stone screen excavated from 97M4 in the Heisonglin Cemetery,Huqiu Road,Suzhou,is a valuable painting from the Three Kingdoms period.Although scholars have different opinions on identifying and interpreting the depicted figures,they all consider its function within the tradition of historical painting narratives from the Han and Tang dynasties.However,the function of historical figures may change when painted on different media and placed in various contexts.Whether the stone screen in the Heisonglin Cemetery is exhortative narrative needs to be reconsidered in its original context.While the combination of stone couches,stone tables,and stone screens are also found in other tombs,the arrangement of the stone furniture in tomb 97M4 exhibits a higher degree of compatibility with the layout of the tomb chamber.An analysis of the history of screens and the essential elements in the stone screen indicates that within the"contextualized"space of the tomb chamber,the stone screen in 97M4 may have been imbued with ritual and domestic function,conveying the expectation of transcending the limitations of the world by combining them with the images.

关 键 词：黑松林墓地 画像石 屏风 规鉴 

分 类 号：J323[艺术—美术]