在真与诗之间:鲁迅三份自传笺释  

Between Truth and Poetry:An Analysis of Lu Xun’s Three Autobiographical Sketches

作　　者：黄乔生[1] HUANG Qiaosheng(Beijing Lu Xun Museum,Beijing 100034,China)

机构地区：[1]北京鲁迅博物馆,北京100034

出　　处：《齐鲁学刊》2024年第4期145-160,共16页Qilu Journal

基　　金：国家社会科学基金一般项目“鲁迅年谱长编编撰与家世生平资料整理研究”(21BZW028)。

摘　　要：鲁迅对中外传记文学有深湛的修养,长于记人叙事,深知写实与虚构之间的委曲。他对自传写作一直不很积极,因短寿尚未及写作长篇自传,只留下三份千字左右的简传。三份自传文本之间的差异显示鲁迅在不同人生阶段总结回顾过往时的视角和观念变化,也体现出鲁迅对传记写作的谨慎态度以及在“真与诗”之间的修辞策略。Lu Xun possessed a profound understanding of biographical literature from both Chinese and foreign sources,excelling in depicting individuals and narratives while deeply comprehending the nuances between realism and fiction.He was not particularly enthusiastic about writing autobiographies and,due to his short life,did not have the opportunity to write a lengthy autobiography,leaving behind only three brief sketches of around a thousand characters each.The differences among these three autobiographical texts reveal Lu Xun’s varying perspectives and changes in his beliefs at different stages of his life,reflecting his cautious approach to biographical writing and his rhetorical strategies in navigating the“truth and poetry”dichotomy.

关 键 词：鲁迅 自传 真实 虚构 

分 类 号：I210.94[文学—中国文学]