太空科幻电影的物质性情绪“孤独”及其生态政治学  

The Material Mood"Solitude"and Eco-politics of Space Science Fiction Films

作　　者：丁鹏飞 Ding Pengfei

机构地区：[1]新疆大学中文系

出　　处：《电影艺术》2024年第4期59-65,共7页Film Art

基　　金：新疆大学科研启动项目“物质性思想视域下W.G.塞巴尔德的记忆表征”(批准号:620322007);自治区“天池英才”项目(批准号:51052300594);自治区高校基本科研业务费科研项目(批准号:XJEDU2023P046)阶段性成果。

摘　　要：区别于贯穿主流太空科幻电影的奥德修斯精神史叙事,从库布里克到诺兰的太空科幻影像观念,呈现出一种由物质性情绪“孤独”定调的叙事纹理。作为思想之“物”的主体,在压抑化的经济学语境中,被外化为一种与主体游戏的技术和异物,并导致了一种在最高成就和最高外表间争执不下的误读。通过再次回到情绪“孤独”背后的物质“脆弱性”概念,太空科幻电影在影像物感、宇宙物态、主体物质性彼此联动的思想视域中,绘制着一种宇宙生态政治学的思想轮廓。Unlike the narrative of Odysseus's spiritual history that runs through mainstream space science fiction films,the conception of space science fiction films from Kubrick to Nolan presents a narrative texture set by the material mood"Solitude".As the subject of the"thing"of thought,it is externalized as a technology and foreign object that plays with the subject in a repressive economic context,leading to a misreading consequence of the struggle between the highest achievement and the highest appearance.By returning to the conception of material"vulnerability"behind the mood of"Solitude",space science fiction films outline the thought contours characteristic of cosmic eco-politics in the thought field in which the sense of the material image,the cosmic material state,and themateriality of the subject are interlinked.

关 键 词：太空科幻电影 列维纳斯 物质性 生态政治学 

分 类 号：J905[艺术—电影电视艺术]