《走走停停》:日常叙事与现代人的“世俗神话”  

Gold or Shit:Daily Narrative and Modern People's"Secular Myth"

作　　者：陈晓云[1] Chen Xiaoyun

机构地区：[1]北京师范大学艺术与传媒学院

出　　处：《电影艺术》2024年第4期73-76,F0004,共5页Film Art

摘　　要：以“返乡”与“邂逅”作为戏剧动机的《走走停停》,讲述了“北漂”已久的吴迪在面临事业与情感的双重失落、职业与生活的双重困境后选择回乡的故事。影片的主体叙事以吴迪拍摄剧情片《似是故人来》和冯柳柳拍摄纪录片《回故乡的人》为基础。电影对大量生活细节的捕捉形成了一种日常叙事,它作为这部影片的基本结构,传达出一种“允许一切发生”、人生无需被定义的价值理念,进而构造了一则现代人的“世俗神话”。The drama Gold or Shit,driven by the themes of"returning home"and"encountering each other",tells the story of Wu Di,who has been"drifting in Bejing"for a long time,choosing to return home after facing both the dilemma of career and relationship crisis.The film's theme and narrative are based on Wu Di's drama movie Seems to be an Old Friend Coming and Feng Liuliu's documentary The People Returning Home.The capture of numerous life details in the film forms a daily narrative,which serves as the film's basic structure,conveying a value of"allowing everything to happen"and life not needing to be defined,thereby constructing a modern"secular myth".

关 键 词：走走停停 日常叙事 世俗神话 自体反思 

分 类 号：J905[艺术—电影电视艺术]