幻灯放映不只是静态演示:一种电影前史的视角  

Magic Lantern Shows Are More than Just Static Presentations:A Pre-Cinema Perspective

作　　者：安冬 An Dong

机构地区：[1]东南大学艺术学院

出　　处：《电影艺术》2024年第4期140-145,共6页Film Art

基　　金：东南大学中央高校基本科研业务费资助项目(批准号:3213042301B2);江苏省社科基金青年项目(批准号:23YSC007)阶段性成果。

摘　　要：作为维多利亚时期的主流娱乐,幻灯放映不只是静态演示,而是已经具备动态影像的基础特质。在构成材料上,生产商配套的幻灯读物是制造时间连续、赢得“注意力”的早期剧本。在运动规律上,幻灯借助机械装置投射的数百倍大的画面已经开始作“镜头内运动”,以近似关键顿和动态分镜的形式完成故事讲述。在放映技巧上,玻璃画片的更番叠换不是硬切,幻灯放映善用焦点变换的“溶解视图”和“画中画”的魔术效果。动起来的幻灯图像是电影重要的前史形态。As Victorian popular entertainment,Magic lantern shows are more than just static presentations and already possess the basic qualities of moving images.In the composition of the material,lantern readings,provided by the manufacturer,are an early script for creating time stretches and gaining“attention”.In terms of movement patterns,with the help of mechanical devices,the hundreds of times larger picture projected by the slide has begun to make"in-camera movement"in a way similar to“key-frames”or dynamic storyboards to tell the story.In terms of projection techniques,the change of glass is not rigid,the projectionist is good at using the“dissolving views”,and“picture in picture”magic effect.The moving slides are the pre-history of the movie.

关 键 词：幻灯片 幻灯读物 溶解视图 电影前史 

分 类 号：J909.1[艺术—电影电视艺术]