20世纪上半叶汉口歌舞厅景况  

Hankou Cabarets Culture L andscape in the First Half of the 20th Century

作　　者：田可文[1,2] 张敏 Tian Kewen;Zhang Min

机构地区：[1]武汉音乐学院音乐学系 [2]江汉大学武汉城市音乐文化研究院,武汉430060 [3]贵州大学音乐学院,贵阳550025

出　　处：《北方音乐》2024年第3期46-55,共10页Journal of the Northern Music

基　　金：江汉大学武汉城市音乐文化研究院2023年委约课题“20世纪上半叶汉口市民音乐生活”(课题编号:23WHCYA001)研究成果;江汉大学城市治理与文化传承学科群成果之一

摘　　要：随着1861年汉口的开埠,西洋音乐也随西方文化逐步东来汉口,汉口的娱乐行业也发生巨大变化。各色新式娱乐场所在汉口涌现,使西方歌舞厅文化在汉口得以传播。文章透过这些歌舞厅的设立、舞女的成分、舞厅的爵士乐,以及汉口的禁舞,论及20世纪上半叶汉口歌舞厅那商业、娱乐、媚俗等特点的非主流的“副文化”景况。Since its opening as an international business port in 1861,Hankou was accepted west-ern culture as well as music gradually,so as to the entertainment industry underwent great changes.As distinct new entertainments were flushed in,western cabaret culture had promulgated in Hankou.Based on the researches on the establishment of dance halls,the rank of the dancers,jazz music and forbidden dancing in it,the article discusses the subculture landscape of the Hankou's cabarets in the first half of the 20th century,which as the nonmainstream that characterized as the business,entertainment,and kitsch.

关 键 词：20世纪上半叶 汉口 歌舞厅 景况 

分 类 号：J609.2[艺术—音乐]