古蜀文明的音、声、形之描绘——管弦乐作品《金声玉笛·纵目》的音乐语言  

A Portrayal of Music,Voice and Figure of Ancient Shu Civilization——The Musical Language of Golden Sound and Jade Flute,Zongmu for Orchestra

作　　者：周姝[1] Zhou Shu

机构地区：[1]四川音乐学院作曲系,成都610021

出　　处：《北方音乐》2024年第3期121-130,137,共11页Journal of the Northern Music

基　　金：2023年度四川省哲学社会科学基金一般项目“四川现当代作曲家音乐作品中的巴蜀文化特征研究”(项目编号:SCJJ23ND384);2022年度四川音乐学院院级科研项目“古蜀文明视阈下的当代音乐创作研究”(项目编号:CY XS2022083)的阶段性成果。

摘　　要：作为长江上游古代文明的中心区域,古蜀文明所展现出的飘逸诡秘与神秘威仪引发了当代作曲家的无穷想象与个性化创作之声。作曲家杨晓忠的管弦乐作品《金声玉笛·纵目》引入具有古蜀文明隐喻意义的乐器,用本土与异域文明交融的独特古蜀文化符号,塑造出兼具神秘与浪漫特征的音响氛围与音乐语汇。文章从“形”之意象、“音”之特色与“声”之概念三个角度出发对作品《金声玉笛》进行分析,力图全方位呈现作曲家对古蜀文明的瑰丽想象与细致描绘,并解读作曲家在塑造古蜀文明之音声秘境时所采用的具体思路和创作手法。As the center of the ancient civilization in the upper reaches of the Yangtze River,Ancient Shu[an ancient kingdom in what is Sichuan Province today]civilization inspired the infinite imagination and personalized creative voice of contemporary composers as its elegant enigma,mysterious and impressive manner.Yang Xiaozhong's Golden Sound Jade Flute,Zongmu[A monstrosity in ancient legend]for orchestra introduces ancient Shu civilization instruments with metaphorical significance,and shapes the acoustic atmosphere and musical vocabulary with both mysterious and romantic features by using the unique cultural symbols of ancient Shu,which is a fusion of the local and exotic civilizations.Aimed at presenting the composer's magnificent imagination and detailed description of the ancient Shu civilization in a comprehensive way,the article analyzes the Golden Sound and Jade Flute from three aspects:the imagery of the figure,the characteristics of music and the concept of voice,and then interprets the special idea and technique of creating of secret music and voice landscape of Ancient Shu civilization.

关 键 词：古蜀文明 主题意象 《金声玉笛·纵目》 文化融合 

分 类 号：J605.2[艺术—音乐]