巴别尔短篇小说中的狂欢化形象  

The Carnival Characters and Grotesque Images in Babel's Short Stories

作　　者：谢春艳[1] Xie Chunyan

机构地区：[1]哈尔滨工业大学外国语学院

出　　处：《俄罗斯文艺》2024年第3期84-95,共12页Russian Literature & Arts

基　　金："中央高校基本科研业务费专项资金资助(HIT.HSS.201861)"项目成果。

摘　　要：巴别尔短篇小说的文体具有典型的狂欢化特征。民间诙谐文化的美学风格通过大量狂欢化形象体现出来,这些形象构成了巴别尔短篇小说诗学的核心。本文以《敖德萨故事》和《骑兵军》为例,分析巴别尔短篇小说中狂欢广场和民间笑文化中的主角人物、怪诞物质和怪诞形象的特质,指出作为狂欢化世界感受的核心,颠覆精神、快乐的相对性、双重性和交替变更的精神引领着巴别尔短篇小说中人物的生活主题和追求方向。巴别尔短篇小说不仅在内容上,同时在形式上实现了狂欢演绎。The style of Babel's short stories has typical carnival features.The aesthetic style of folk humorous culture is embodied through a large number of carnival images,which constitute the core of Babel's short story poetics.This article takes Odessa Stories and Red Cavalry as examples,analyzes the characteristics of the protagonists,grotesque substances and grotesque images in the carnival square and folk laughter culture in Babel's short stories,and points out that as the core of the carnival world experience,the subversive spirit,the relativity and duality of happiness,the spirit of alternation lead the life theme and pursuit direction of the characters in Babel's short stories.The important feature of the carnival temperament of Babel's short stories is that it realizes the carnival interpretation not only in content but also in form.

关 键 词：巴别尔 短篇小说 狂欢化 怪诞 

分 类 号：I512.074[文学—其他各国文学]