转变与转变的犹疑——以《徐迟文集》补遗为考察中心  

The turn and the hesitation following the turn:taking the addenda of Xu Chi’s Collected Works as the center of study

作　　者：高强 GAO Qiang(School of Humanities,Southwest Jiaotong University,Chengdu 611756,China)

机构地区：[1]西南交通大学人文学院,四川成都611756

出　　处：《浙江师范大学学报（社会科学版）》2024年第4期70-78,共9页Journal of Zhejiang Normal University(Social Sciences)

基　　金：成都市哲学社会科学重点研究基地“成都历史与成都文献研究中心”一般项目“成都报纸副刊的文献整理与战后文人心态及文艺嬗变研究(1945—1949)”(CLWX23004)。

摘　　要：徐迟是认识、理解文学和文人因应政治历史而变的复杂情形的重要个案。笔者发现了蕴含着徐迟文学思想变动痕迹的五篇集外佚文,这些文章既表明徐迟在努力认同和践行文艺大众化方案,也时时透露出徐迟对旧时之我所曾迷恋的现代化、精致化艺术的迷恋。徐迟虽然转向革命,但其转向又充满往复撕扯的犹疑迹象,由此呈现出来的是一个“在泥沼中”的复杂文人形象。Xu Chi is an important case for understanding the complex situation of literature and the change of literati in response to political history.This paper finds five once-lost articles that contain traces of Xu Chi’s changes of literary thought.These articles not only show Xu Chi’s endeavor to align himself with and prac-tice the popularization of literature and art,but also reveal Xu Chi’s infatuation with the modernization and art of refinement that he was once obsessed with in the old days.Although Xu Chi turned to revolution,his turn was full of signs of hesitation,which revealed a complex image of literati“in the mire”.

关 键 词：徐迟 集外佚文 革命转向 大众化 现代主义 

分 类 号：I206.6[文学—中国文学]