论清代文言小说扉页的刊印形态及其文体特征  

On the Printing Form and Stylistic Characteristics of the Title Page of Classical Chinese Novels in the Qing Dynasty

作　　者：杜治伟 Du Zhiwei

机构地区：[1]安徽大学文学院,合肥230039

出　　处：《中山大学学报（社会科学版）》2024年第4期43-51,共9页Journal of Sun Yat-sen University(Social Science Edition)

基　　金：国家社会科学基金青年项目“清代文言小说的出版与传播研究”(22CZW035)。

摘　　要：清代文言小说的扉页设计展露出较为明显的文体特征,这集中体现在它的广告性和艺术性两方面。无论是介绍正文、标明书价、征集书稿还是采用艺术书体并留下题写者款识,它都具有独立的商业价值和审美价值。这种扉页特征与白话小说相互影响,一方面,白话小说扉页的书名广告、续书广告、识语广告刺激了清代文言小说扉页广告的出现;另一方面,清代文言小说的扉页题署也由艺术性向商业性递变并自然过渡到白话小说之中。作为一种文体标识,对清代文言小说扉页特征的研究,不仅有助于增强对其刊印形态的认知,而且可以加深对文言与白话交融的理解。The title page design of classical Chinese novels in the Qing Dynasty reveals distinct stylistic features,which are primarily manifested in its commercial and artistic aspects.Whether it is introducing the main text,indicating the book price,soliciting manuscripts,or adopting an artistic style with the calligrapher’s signature,it has independent commercial and aesthetic values.The title-page features interacts with the vernacular novels in two ways.On the one hand,the title advertisements,continuation advertisements,and Shiyu识语advertisements on the title pages of vernacular novels stimulated the emergence of title-page advertisements in the classical Chinese novels during the Qing Dynasty.On the other hand,the calligraphic inscription on the title pages of the classical Chinese novels in the Qing Dynasty also shifted from artistic to commercial,naturally integrated into the vernacular novels.The study of the characteristics of the title pages,as a stylistic indicator of classical Chinese novels in the Qing Dynasty,not only helps to enhance our understanding of their printing forms,but also deepens our understanding of the integration of classical Chinese and vernacular language.

关 键 词：文言小说 清代 扉页 文体特征 刊印形态 

分 类 号：I207.41[文学—中国文学] K249[历史地理—历史学] G239.29[历史地理—中国史]