论蒋光慈小说革命者内视角叙事的美学意蕴  

On the Aesthetic Implications of Narration of Revolutionaries’Internal Perspective in Jiang Guang-ci's Novels

作　　者：彭祖鸿 PENG Zu-hong(Dongguan City University,Dongguan,Guangdong,China,523419)

机构地区：[1]东莞城市学院,广东东莞523419

出　　处：《广东开放大学学报》2024年第3期73-80,共8页JOURNAL OF GUANGDONG OPEN UNIVERSITY

基　　金：东莞城市学院教改项目“‘课程思政’视域下中国现当代文学课程的改革路径研究”(东理城[2021]96号)。

摘　　要：作为中国无产阶级革命文学的奠基人,蒋光慈用小说塑造了大批革命者形象,内视角叙事策略的普遍采用,既服务了人物形象的塑造,也在理性层面上思考了自我和社会问题,更是宣传和教化了革命思想。对内视角叙事策略的探究有利于考察蒋氏在小说艺术上的探索,亦有利于正视其小说的文学史意识和红色文化基因的传承价值。As the founder of Chinese proletarian revolutionary literature,Jiang Guang-ci created a large number of revolutionary figures.The widespread use of internal perspective narrative strategies not only served to the figures creation,but also refl ected on the self and social issues from a rational level,and popularized and enlightened revolutionary thought as well.Exploring the internal perspective narrative strategy is beneficial for examining Jiang's searching of novel art,as well as for facing up to his literary history’s consciousness and the value of inheriting red cultural genes in his novels.

关 键 词：革命者叙事 叙事策略 内视角 美学意蕴 

分 类 号：I207.4[文学—中国文学]