音乐人类学的兴起及其中国实践  

The Rise of Music Anthropology and Its Practice in China

作　　者：冯雪红 王帅 FENG Xue-hong;WANG Shuai

机构地区：[1]北方民族大学学报编辑部,宁夏银川750021 [2]北方民族大学中华民族共同体学院,宁夏银川750021

出　　处：《中南民族大学学报（人文社会科学版）》2024年第7期84-90,184,共8页Journal of South-Central Minzu University (Humanities and Social Sciences)

基　　金：宁夏哲学社会科学和文化艺术领军人才资助项目“新时代民族传统文化创造性转化和创新性发展研究”(2019BGLS02)。

摘　　要：音乐人类学是人类学的分支学科,注重研究音乐艺术及与其相关的所有社会文化现象。基于中西比较的视野,对音乐人类学学科的基本问题和学科发展历程进行了梳理,认为中西方音乐人类学研究具有共同性:研究方法的运用基本相同;在音乐研究中注重对社会文化和精神内涵的挖掘、整理和研究;注重音乐教育教学实践的创新探索。由于学科传统和研究对象所处文化环境迥异,中西方音乐人类学在学科发展过程中也表现出一定的差异性:根植各自文化土壤,概念界定有所不同;对比学科研究视角,理解和诠释方式不同;追溯学术思想渊源,话语表述和实践应用不同。当前,构建中国自主知识体系、学术体系和话语体系任重道远,中国音乐人类学研究前景广阔。Music anthropology is a branch of anthropology that focuses on the study of music art and all related social and cultural phenomena.In this article,based on a comparative study between China and the West,the author summarizes the basic issues and development process of the discipline.Both the East and the West have commonalities in terms of music anthropology:the research methods are basically the same;emphasis is laid on the excavation,organization,and research of social,cultural,and spiritual connotations in music research;innovative exploration of music education and teaching practice are emphasized.Due to the distinct disciplinary traditions and cultural contexts of their research subjects,there are notable differences in the development of Western and Chinese music anthropology:rooted in their respective cultural foundations,their concept definitions vary;from the perspective of comparative research,their modes of understanding and interpretation are different;as to the orientation of their scholarly ideas,their expression and application are different.Currently,the establishment of an independent knowledge,academic system and discourse framework of China is an arduous task with a long way to go,yet the prospects for Chinese music anthropology research are promising.

关 键 词：音乐人类学 音乐文化 人类音乐行为 学科体系 

分 类 号：C95[社会学—民族学]