人·地·诗:李白荆楚诗歌的空间书写  

Man,Land and Poetry:Spatial Writing of Li Bai’s Poems of Jingchu

作　　者：张玖青 丁畅 ZHANG Jiu-qing;DING Chang

机构地区：[1]中南民族大学文学与新闻传播学院,湖北武汉430074

出　　处：《中南民族大学学报（人文社会科学版）》2024年第7期154-162,187,共10页Journal of South-Central Minzu University (Humanities and Social Sciences)

基　　金：中央高校专项基金重点项目“数字人文视域下的文学叙事与空间表征:以唐代荆楚地区为例”(CSZ22008)。

摘　　要：阅读李白荆楚诗歌,可发现李白习惯将纯粹空间作为必要的地理向度,与因之生发的情感空间相融通。地理空间的立体化、心理空间的视觉化、叙事空间的动态化,都通过散点透视与俯仰往还的空间视角以及以小观大、由点而面的空间结构,“泛空间”与“大字面”的空间表征才得以呈现。物性、人性、诗性相绾联,使得李白荆楚诗歌显示含蓄的审美艺境及天人合一的审美至境。Reading Li Bai’s poems of Jing Chu,it is found that Li Bai used to regard pure space as the necessary geographical dimension,and integrated such pure space with the emotional space generated by it.The three dimensions of geographic space,the visual of psychological space and the dynamics of narrative space are all presented through the spatial perspective of scatter perspective and tilt back and forth,as well as the spatial structure of the small view of the big,from the point to the surface,and the spatial representation of“universal space”and“big words”.The combination of material nature,human nature and poetic nature makes Li Bai's poetry show the subtle aesthetic art and the aesthetic perfection of the unity of heaven and man.

关 键 词：李白 荆楚诗文 空间书写 美学向度 

分 类 号：I206.2[文学—中国文学]