感质理论下皮革文化产品形态设计研究  

Research on the Morphological Design of Leather Cultural Products under the Theory of Aesthetic Perception

作　　者：曹秋菊 杨秦[1] CAO Qiuju;YANG Qin(University of Science and Technology Liaoning,Anshan 114051,China)

机构地区：[1]辽宁科技大学,辽宁鞍山114051

出　　处：《西部皮革》2024年第13期114-116,共3页West Leather

摘　　要：感质理论作为一种转化技术,能够将消费者对皮革文化产品的主观感受和意象转化为具体的设计参数,进而融入文化产品形态感质力的形成与传递过程中。文章通过对感质理论在皮革工艺产品形态设计中实际应用的探讨,旨在将消费者的感官认知与文化产品的设计元素有机结合,并通过建立科学的评估体系,确保最终产出的皮革文化产品不仅满足市场需求,同时具备高度的审美价值。This paper discusses the practical application of aesthetic perception theory in the morphological design of leather craft products.Aesthetic perception theory,as a transformative technique,translates consumers'subjective perceptions and images of leather cultural products into specific design parameters,thereby integrating into the formation and transmission process of aesthetic qualities in cultural product morphology.This process aims to organically combine consumer perceptual cognition with the design elements of cultural products,and through establishing a scientific evaluation system,ensure that the final output of leather cultural products not only meets market demands but also possesses significant aesthetic value.

关 键 词：感质理论 皮革文化 产品形态设计 

分 类 号：TB472[一般工业技术—工业设计]