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作 者:张玉[1] 田永刚[1] ZHANG Yu;TIAN Yonggang(Northwest Agriculture and Forestry University,Xianyang 712000,China)
出 处:《西部皮革》2024年第12期72-74,共3页West Leather
基 金:教育部人文社科项目“秦巴山区非物质文化遗产基因图谱及保护开发策略研究”(23YJC760079);陕西省社科项目“秦巴山区非物质文化遗产基因数字化保护与开发策略研究”(2023J022);西北农林科技大学2024年基本科研业务费人文社科项目“数字人文视域下黄河晋陕沿岸农耕非物质文化遗产知识图谱研究”(2452024347)。
摘 要:为了更好地保护和传承羌绣艺术,文章通过文献研究和田野调查,探究了羌绣的刺绣技艺与艺术特征。羌绣在原材料与刺绣工具选择上有自己的标准,刺绣针法以扎绣、钩绣和挑绣为主,其图案映射出羌族的日常生活、自然景观及社会信仰,如“石榴送子”“藤团牡丹”等,图案色彩则以素绣和彩绣为主。羌绣不仅是一种装饰技艺,更承载着丰富的民族文化和历史价值,深入挖掘并传播其独特技艺与艺术特征,有助于发挥羌绣艺术的独特魅力和文化内涵。Based on the purpose of preserving and inheriting the art of Qiang embroidery,this paper probes into the embroidery techniques and artistic features of Qiang embroidery by means of literature research and field investigation.According to the research,Qiang embroidery has its own standards in the selection of raw materials and embroidery tools.The embroidery stitch is mainly made of needlework,hook embroidery and pick embroidery,and its patterns reflect the daily life,natural landscape and social beliefs of the Qiang people,such as"pomegranate sending children"and"rattan peony".The patterns and colors are mainly plain embroidery and color embroidery.It is concluded that Qiang embroidery is not only a decorative skill,but also carries rich national culture and historical value.In-depth exploration and dissemination of its unique skills and artistic characteristics will help to exert the unique charm and cultural connotation of Qiang embroidery art.
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