中西方服装廓形对比与融合创新——以明代服饰廓形与Dior经典廓形为例  

Comparison and Fusion Innovation of Silhouettes in Chinese and Western Clothing:TakingMingDynastyAttireSilhouettes andDiorClassicSilhouettes asExamples

作　　者：姚陈枫 YAO Chenfeng(Fujian Normal University,Fuzhou 350000,China)

机构地区：[1]福建师范大学,福建福州350000

出　　处：《西部皮革》2024年第12期118-120,共3页West Leather

摘　　要：基于服装改良的需要,文章对比分析了中西方服装廓形,探究了明代服饰的上衣、下裳与整体造型,剖析了Dior经典的字母型、郁金香型,以及曲折、飞行、插翅系列廓形,综合分析各自的优势和两者之间的区别。西式廓形丰富多样,为明代服装的外轮廓造型的创新提供了思路。将西式服装廓形与明代传统服饰造型结合,设计了系列服装,为后期明代传统服饰的改良设计提供参考。Addressing the need for garment refinement,this article conducts a comparative analysis of Chinese and Western clothing silhouettes.It explores the upper garments,lower garments,and overall styling of Ming dynasty attire,while dissecting Dior's classic silhouettes such as the letter-shaped,tulip-shaped,as well as the sinuous,flying,and winged series.The analysis comprehensively examines their respective strengths and differences.The diverse and varied Western silhouettes have provided innovative ideas for the outer contour styling of Ming dynasty clothing.By combining Western clothing silhouettes with traditional Ming dynasty garment forms,a series of garments has been designed to serve as a reference for the later refinement of traditional Ming dynasty attire.

关 键 词：明朝服装 轮廓造型 结合 创新 

分 类 号：J506[艺术—艺术设计] TS941.2[轻工技术与工程—服装设计与工程]