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作 者:程维[1] CHENG Wei(School of Liberal Arts,Anhui Normal University;Wuhu 241002)
出 处:《阴山学刊》2024年第4期7-14,共8页Yinshan Academic Journal
基 金:安徽省高等学校省级质量工程项目“中国古代文学”(2022xsxx071);安徽省哲学社会科学规划后期资助项目“先唐诗歌的议论研究”(AHSKHQ2020D09)。
摘 要:宋人频频批评“议论为诗”,然而对于诗中议论颇多的陶渊明却都极为推崇,这与陶诗议论的特色有关系。其一,陶诗论不虚发而语带情韵,故而不空不隔,自然而然,有兴观群怨的力量。其二,陶诗在议论中使用虚词和散文式的句式和结构,使得议论亲切有味,句法天成而语意透彻。其三,陶渊明将意象创作和戏剧元素融入议论之中,使得议论具有画面感和可读性。其四,陶诗中的议论从赋体中借鉴了多层次性、两难性的结构特征,具备了驱动读者思考的特质。然而,这些特色有一个共同的根基,那就是本于性情。本于性情,才可能于读者有兴、观、群、怨之力量。Literati in the Song Dynasty frequently criticized the phenomenon of writing poems in polemical language,but Tao Yuanming,who had a lot of polemics in his poems,was highly respected.This has something to do with the characteristics of Tao’s argumentation.First,Tao’s discourse is produced in a certain situation,and his language has emotional flavor,so it is not empty and natural.Secondly,Tao’s use of imaginary words and prose style sentences and structures in his arguments makes the arguments friendly and flavorful,and the syntax heavenly and semantic thorough.Third,Tao Yuanming incorporates imagery creation and dramatic elements into his arguments,which makes the arguments graphic and readable.Fourthly,Tao borrowed the structural features of multi-layeredness and dilemma from the fugue style,which possesses the quality of driving the reader to think.However,these features have a common root,which is originated from temperament.
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