阴山文化研究的当代呈现与传播  

On the Contemporary Presentation and Dissemination of Yinshan Culture Studies

作　　者：王宇[1] WANG Yu(Editorial Department of Yinshan Academic Journal,Baotou Teachers College,Baotou 014030)

机构地区：[1]包头师范学院学报编辑部,内蒙古包头014030

出　　处：《阴山学刊》2024年第4期21-26,共6页Yinshan Academic Journal

基　　金：内蒙古高校人文社科重点研究基地-阴山文化研究中心项目“阴山文化研究的当代呈现与传播”(23YSYJ0011);内蒙古哲社规划重点项目“阴山地区非物质文化遗产保护与传承研究”(2023NDA221);内蒙古高校人文社科重点研究基地-阴山文化研究中心项目“逻辑、挑战、进路——融媒体视域下阴山文化现代价值传播的三重审视”(24YSYJ0003)。

摘　　要：随着网络、信息技术、数字化的快速发展,当代阴山文化成果研究范围逐步明确、论题相对集中,由书斋研究、田野调查走向了教学研一体化,由冰冷的文字迈向了身临其境的VR画面,由纸质阅读转变成电子阅读与聆听,由枯燥的学理论述延伸出形象生动的文创产品,由国内学术期刊一家独秀到世界范围的全媒体参与呈现、传播。面对阴山文化研究理论与实践之间存有鸿沟、成果零散、选题范围随机、国际传播影响力不足的困境,当代研究者应在理解其内涵的基础上与时代精神相结合、与前沿科技相融合,围绕一个专题从内容与形式方面进行延展性地拓深;通过整合阴山研究资源(包括研究者队伍、研究文献、考古新发现),形成阴山文化研究合力;多维度宣传阴山文化内容,提升对外翻译质量,优化阴山文化的对外传播。With the rapid development of the internet,information technology and digitization,the research scope of contemporary Yinshan culture has gradually become clear,and the topics are relatively concentrated.From study and field research to the integration of teaching and research,from words to immersive VR images,from paper reading to electronic reading and listening,and from dry theoretical discussions to vivid cultural and creative products,from domestic academic journal to a global media presence and dissemination.Facing the dilemma of the gap between the theory and practice of Yinshan culture research,scattered achievements,random topic selection,and insufficient international communication influence,contemporary researchers should expand and deepen the content and form of a specific topic in a scalable manner,integrate research resources of Yinshan(including researchers,research literature,and new archaeological discoveries),promote the content of Yinshan culture in multiple dimensions,improve the quality of foreign translation,and optimize the external dissemination of Yinshan culture.

关 键 词：当代 阴山文化 呈现 传播 内容 形式 

分 类 号：G127[文化科学]