宋代元会礼乐仪制的新变  

On Yuanhui’s Rites and Music Ceremony in Song Dynasty

作　　者：刘雪青 LIU Xue-qing(School of Literature,Taiyuan Normal University,Jinzhong 030619)

机构地区：[1]太原师范学院文学院,山西晋中030619

出　　处：《阴山学刊》2024年第4期50-56,共7页Yinshan Academic Journal

基　　金：山西省哲学社会科学规划课题“生态平衡视域下的山西平定‘塔火’习俗研究”(2020YJ155);山西省高等学校哲学社会科学研究项目“山西民歌与古丝绸之路关系研究”(2020W143)。

摘　　要：元日朝会历来颇受统治者及朝廷的重视,且各代的元会礼乐仪制又有所差异。宋代元会仪则在继承前制的基础上,作出较大幅度的增补和改革。诸如宋代在皇帝朝贺皇太后、鸣鞭、炉烟升、帘内再拜及称贺帘外等方面予以增补,并于元会所属类别问题、元会仪次序、贺辞与寿辞的宣读者、上寿仪步骤、行礼方位、皇帝与百官着装、元会仪地点、乐舞的使用等方面进行了较大幅度的改革。宋代礼乐仪制的诸多变化,既与宋代崇文抑武、崇儒尚雅的治国方略和文化政策有关,又反映出其对前代礼乐制度着力厘革的迫切要求及政治制度化的进一步加强。Yuanhui ceremony in Song Dynasty supplemented some rites on the basis of Tang Dynasty,such as the person to be pilgrimaged and the manners.Not only that,Song Yuanhui also changed some rites,such as the type and the sequence of Yuanhui ceremony,the person who declared the greeting speech and the birthday statement,the process of the birthday ceremony,the orientation in salute,the dressing of emperor and ministers,the place and music of Yuanhui ceremony and so on.These changes were concerned with the governing strategy and cultural policy in Song Dynasty,reflecting the urgent demand of reform and further strengthening on political system in Song Dynasty.

关 键 词：宋代 元会 礼乐仪制 宾礼 崇文抑武 

分 类 号：K244[历史地理—历史学]