传统非遗工艺在戏剧影视服装中的应用研究——以非遗绒花和掐丝珐琅为例  

Research on the application of traditional intangible cultural heritage technology in drama and film clothing:taking the intangible cultural heritage floral and wire enamel

作　　者：董赫男 蔡彦沁 蔡双悦 Dong He’nan;Cai Yanqin;Cai Shuangyue(Jilin Animation Institute,Changchun 130000,China)

机构地区：[1]吉林动画学院,吉林长春130000

出　　处：《纺织报告》2024年第6期85-87,共3页

基　　金：2023年度国家级大学生创新创业训练计划项目“‘粉白黛绿’明清掐丝珐琅工艺品——中国传统工艺学习研究成果”(202313607031);2023年度国家级大学生创新创业训练计划项目“‘绒花芳华’——创新非遗传承振兴‘绒花’产业研究成果”(202313607032)。

摘　　要：在当今戏剧影视艺术领域,传统非遗工艺逐渐成为一种独特的设计元素,丰富了服装的艺术表现力和文化内涵。传统非遗绒花和掐丝珐琅在戏剧影视服装中展现出前所未有的活力,其不仅是传统文化的守护者,也是推动影视艺术创新发展的重要元素。文章通过深入挖掘非遗绒花和掐丝珐琅的工艺精髓,探讨其在戏剧影视服装中应用的可能性,以期为非遗工艺的活态传承提供新的视角和路径。In the field of drama and film art today,traditional intangible cultural heritage technology is gradually becoming a unique design element,enriching the artistic expression and cultural connotation of clothing.The traditional intangible heritage flower and wire enamel show unprecedented vitality in drama and film clothing,they are not only the guardian of traditional culture,but also an important element to promote the innovative development of film art.This paper deeply explores the essence of the process of intangible cultural heritage flower and wire enamel,discusses its application possibility in drama and film clothing,in order to provide a new perspective and path for the living inheritance of intangible cultural heritage.

关 键 词：影视服装 非遗绒花 掐丝珐琅 

分 类 号：J523.5[艺术—艺术设计]