中国先锋戏剧电影的身体伦理叙事  

Ethical Narration of Body in Chinese Avant-Garde Dramatic Films

作　　者：蒋峰 JIANG Feng(Sichuan Film and Television University,Chengdu Sichuan 610037,China;School of Journalism and Communication,Southwest University,Beibei Chongqing 400715,China)

机构地区：[1]四川电影电视学院电视学院,四川成都610037 [2]西南大学新闻传媒学院,重庆北碚400715

出　　处：《重庆文理学院学报（社会科学版）》2024年第4期123-131,共9页Journal of Chongqing University of Arts and Sciences（Social Sciences Edition)

基　　金：国家社会科学基金艺术学一般项目“改革开放以来主流电影的道德伦理思想研究”(20BC033);西南大学中央高校基本科研业务费专项资金资助项目创新团队项目“中国电影伦理思想研究”(SWU2009111)。

摘　　要：近年来,《扬名立万》《第十一回》《十二公民》等影片在与先锋戏剧的跨界融合中,实现了戏剧式电影在艺术表达上的新突破,形成了“先锋戏剧电影”这一新的类型样式。由于中国先锋戏剧具有本土性、寓言性、表演性以及现代性和后现代性等特征,所以先锋戏剧电影的身体伦理叙事也在寓言式表达、风格化叙事以及主题思想等方面具有鲜明特点。具体而言,在寓言式表达上,该类影片在充满寓言情境的影像时空中多维度地揭示了人的伦理化的社会身体存在;在风格化叙事和主题思想上,亦展现出在现代性与后现代性并行语境中的身体抗争,及其所揭示的以善恶冲突为核心表征的伦理主题。In recent years,the crossover integration of films such as Be Somebody,The Eleventh Chapter and Twelve Citizens with avant-garde drama has achieved a new breakthrough in artistic expression of theatrical films,forming a new style of"avant-garde dramatic film",Because of the locality,allegory,performance,modernity and postmodernity of Chinese avantgarde drama,the body ethics narrative of avant-garde drama film also shows distinct characteristics in allegorical expression,stylized narrative and artistic thought.Specifically,in terms of allegorical expression,this kind of film reveals human's ethical social body existence in multiple dimensions in the image space and time full of allegorical situations;in the stylized narrative and thematic thoughts,it also shows the struggle of the body in the parallel context of modern and post-modernity,and reveals the ethical theme characterized by the conflict between good and evil.

关 键 词：先锋戏剧电影 身体 伦理叙事 伦理主题 

分 类 号：J974.3[艺术—电影电视艺术]