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作 者:刘阳[1] Liu Yang
机构地区:[1]上海外国语大学
出 处:《中国音乐》2024年第4期71-79,共9页Chinese Music
基 金:2022年度国家社科基金艺术学重大项目“中国传统音乐古谱研究”(项目编号:22ZD13)的阶段成果,。
摘 要:徽分记谱法是古琴减字谱发展史上的一次革新。在徽分记谱法出现之前,琴谱以徽间音表达音高,而徽分记谱法则把音高精确到两徽之间的十分之一。从时间上来看,徽分记谱法的发明应在晚明以后,前人研究中多以《大还阁琴谱》(1673年)作为徽分记谱法广泛应用的重要转折。然而,笔者在研究中发现,徽分记谱概念的产生及记谱法的发明应有更久远的历史。本文按时间线对《大还阁琴谱》之前的琴论和琴谱中出现的徽分记谱进行罗列,试分析徽间记谱法和徽分记谱法的发展和作用,从而揭示徽分记谱法的出现原因,纠正学界对于徽分记谱法出现年代的错误印象。The Hui-Fen notation method represents an innovation in the history of the development of Guqin reduction notation.Prior to the emergence of the Hui-Fen notation method,Guqin scores expressed pitch through the intervals between hui(markers on the Guqin),whereas the Hui-Fen notation method precisely defines pitch to one-tenth of the distance between two huis.Chronologically,the invention of the Hui-Fen notation method should be dated to the late Ming dynasty or later,with previous research often citing the"Da Huan Ge Qin Pu"from 1673 as a significant turning point in the widespread application of the Hui-Fen notation method.However,this research reveals that the concept of Hui-Fen notation and the invention of the notation method likely have a more ancient history.This paper lists and analyzes instances of Hui-Fen notation that appeared in Guqin theory and scores before the"Da Huan Ge Qin Pu",attempting to examine the development and role of Hui-Jian(marker interval)notation and Hui-Fen notation,thereby revealing the reasons for the emergence of the Hui-Fen notation method and correcting the scholarly misconception about its dating.
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