基于视觉传达的电影画面图形图像设计研究  

Research on Film Image Design Based on Visual Communication

作　　者：陈珊珊[1] 肖国圣[1] CHEN Shanshan;XIAO Guosheng(Shaoxing Vocational and Technical College,Shaoxing 312000,China)

机构地区：[1]绍兴职业技术学院,浙江绍兴312000

出　　处：《电视技术》2024年第7期96-99,共4页Video Engineering

基　　金：浙江省2022哲社科规划课题(23NDJC409YBM);浙江省“十四五”第一批教学改革项目(jg20230204)。

摘　　要：在当代电影制作中,画面图形图像设计是构建电影视觉语言的关键要素之一,涉及色彩、光影、构图及特效等多个方面,旨在通过视觉传达手段增强电影的叙事力、情感表达和视觉冲击力。基于此,综合探讨电影画面图形图像设计的基本原则,包括统一与和谐、节奏与律动以及空间与深度,进而详细阐述基于视觉传达的电影画面设计方法,包括色彩设计、光影处理、构图与布局以及特效与动画的应用。通过分析这些设计元素如何协同工作,以增强电影的视觉表达力,为电影视觉效果的创新和发展提供支持。In contemporary film production,graphic and image design is one of the key elements in constructing the visual language of movies,involving multiple aspects such as color,light and shadow,composition,and special effects,aiming to enhance the narrative power,emotional expression,and visual impact of movies through visual communication methods.This article comprehensively explores the basic principles of film graphic design,including unity and harmony,rhythm and rhythm,and space and depth.It further elaborates on visual communication based film graphic design methods,such as color design,light and shadow processing,composition and layout,as well as the application of special effects and animation.By analyzing how these design elements work together to enhance the visual expression of movies,this article aims to provide support for the innovation and development of movie visual effects.

关 键 词：视觉传达 电影画面 图形图像设计 

分 类 号：TN948.13[电子电信—信号与信息处理]