Characterization of conception drawing in architecture to face technological mediations  

作　　者：Hugo C.Gomez-Tone Javier F.Raposo Grau 

机构地区：[1]Departamento de Ideación Gráfica Arquitectónica,Universidad Politécnica de Madrid,Madrid 28040,Spain [2]Departamento de Arquitectura,Universidad Nacional de San Agustín de Arequipa,Arequipa 04001,Peru

出　　处：《Frontiers of Architectural Research》2024年第3期425-438,共14页建筑学研究前沿（英文版）

摘　　要：The conception drawing in architecture is that allows to initiate the architectural thinking,visualizing,and discovering the first ideas.This drawing has traditionally been given as an act of linking and collaboration between thought,sight,and the movement of the hands with a tool.Identifying and recognizing its characteristics will make it possible to deal with any mediation of information technologies.To establish such characteristics,three case studies were carried out.An analysis was made of the conception drawings and interviews by the Pritzker Prize laureates:Ando,Hadid and Gehry.One condition and four characteristics have been determined:drawing is a phenomenological action that produces haptic drawings;it is an undecided process that originates unformed drawings;it is a fast action that results in small and multiplied drawings;it is a perceptual act that generates redrawn and remarked drawings;and finally,it is an action that seeks to remember to resume the creative process at another moment,which produces rudimentary conventional drawings.Knowing these before any technological mediation will be an important pedagogical contribution that will allow future architects not to alter the cognitive processes that generate the first ideas in the initial moments of the architectural project.

关 键 词：Conception drawing Architectural thinking Graphic ideation Concept CREATIVITY 

分 类 号：TU201[建筑科学—建筑设计及理论]