由绘画表现浅析文艺复兴早期的透视学发展  

A Brief Analysis of the Development of Perspective in the Early Renaissance from the Expression of Painting

作　　者：汪璐 WANG Lu(School of Design,Anhui University of Arts,Hefei Anhui230033,China)

机构地区：[1]安徽艺术学院设计学院,安徽合肥230033

出　　处：《盐城工学院学报（社会科学版）》2024年第3期50-53,共4页Journal of Yancheng Institute of Technology（Social Science Edition）

基　　金：安徽省教育厅高校优秀青年人才支持重点项目(gxyqZD2022088);江苏省研究生科研创新计划项目(KY-CX19_2000);安徽省教育厅质量工程省级教育教学改革研究项目(2023jyxm0944)。

摘　　要：文艺复兴时期的透视学经历了早、中、晚三个发展阶段。对透视学的研究与创新应用,使得艺术家们对古希腊-罗马艺术更高水平和层次上的再现成为可能。文艺复兴早期绘画艺术以乔托、马萨乔、乌切洛、弗朗切斯卡及波提切利等为代表,通过其绘画作品中对空间的探索,可梳理出文艺复兴早期透视学的发展历程,以探讨透视学开创的艺术新疆界。In the Renaissance period,perspective experienced three significant stages of development:early,middle and late.The research and innovative application of perspective made it possible for artists to reproduce the ancient Greco-Roman art at a higher level.The early Renaissance painting art is represented by Giotto,Masaccio,Uccello,Francesca and Botticelli.Through the exploration and expression of space in their paintings,this paper sorts out the development course of the early Renaissance perspective,and explores how the Renaissance created a new art frontier through perspective.

关 键 词：早期文艺复兴 透视学 绘画 

分 类 号：J233.9[艺术—美术]