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作 者:罗瑞 Luo Rui(Zhoukou Normal University,Zhoukou 466000,China)
机构地区:[1]周口师范学院外国语学院,河南周口466000
出 处:《河南师范大学学报(哲学社会科学版)》2024年第4期129-135,共7页Journal of Henan Normal University(Philosophy and Social Sciences)
基 金:河南省哲学社会科学规划项目(2022BWX034);河南省高校青年骨干教师培养计划(2021GGJS137)。
摘 要:景观作为一种文化意象,蕴涵着政治、历史、文化、记忆和家园情感,成为身份建构的重要动态媒介。伊丽莎白·毕肖普的旅行诗歌饱含丰富的地理人文景观,不仅承载着个人的家园记忆,更是诗人构建社会意识形态的载体,透射出现代人共通的家园期待。毕肖普对沿途景观带来的家园失落感予以深刻反思,试图缓解现代人的身份焦虑,并藉由诗画景观绘制理想中的家园,彰显诗歌守护人类精神家园的重要使命。同时,以敏锐观察和理性沉思体认着旅行途中的自然景观,探赜人与自然、人与社会、人与自我的和谐共生。毕肖普把自己置于全球化语境中来确认地方身份,其旅行诗歌既有地域性又有世界性,景观书写中想象与现实的交融、理性与情感的平衡对于重构现代诗歌的人文精神、强化诗人的人文关怀具有一定的启示意义。Landscape,as a cultural imagery,embedded with politics,history,culture,memory and homeland emotions,becomes an important dynamic medium for identity construction.Elizabeth Bishop’s travel poetry is rich in geographical and cultural landscapes which not only reveal her personal memories of homeland,but also become the carrier for constructing social ideologies,manifesting the common homeland expectations of modern people.Bishop reflects deeply on the sense of homeland loss implied by the landscapes along her travels,in an attempt to alleviate the identity anxiety of modern people.She draws an ideal homeland through poetic landscapes,highlighting the significant mission of poetry to guard the spiritual home for humanity.At the same time,with keen observation and rational contemplation,she experiences the natural landscapes and explores the harmonious coexistence of human and nature,human and society,as well as human and self.Bishop places herself within the context of globalization to affirm local identity.The landscapes in her travel poetry are both regional and global.The blending of imagination and reality as well as the balance between rationality and emotion in landscape writing are instructive for reconstructing the humanistic spirit of modern poetry and strengthening poets’humanistic concern.
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