理想与现实的链接:《天堂电影院》的空间叙事研究  

The Link Between Ideals and Reality:A Study of Spatial Narrative in“Paradise Cinema”

作　　者：张碧芸 ZHANG Bi yun(Sichuan Normal University,Chengdu 610101,China)

机构地区：[1]四川师范大学外国语学院,四川成都610101

出　　处：《哈尔滨学院学报》2024年第6期113-116,共4页Journal of Harbin University

基　　金：国家社科基金后期资助项目,项目编号:20FXWB012。

摘　　要：电影《天堂电影院》借助倒叙、插叙等时间性叙事方法,呈现出电影院横跨半个世纪的发展历程,然而影片中的空间元素同样显现出重要的叙事功能。电影院、广场和窗户是影片中的三个重要空间意象,其彼此之间的冲突和链接反映出人们三十年间真实生存境遇的变迁。电影院作为现实境域中的异托邦,其存在方式经历了从“救赎之地”到“欲望之地”再到“荒芜之地”的转变,其本质是人类心灵和现实存在方式的嬗变;广场则呈现出严峻的现实冷光,反衬着电影院理想瑰丽的虚假;而窗户作为连接理想与现实的桥梁,是挣扎在理想与现实之间的人们焦虑心境的完美体现。The movie“Paradise Cinema”uses temporal narrative methods,such as reverse and interlude,to present the development process of cinemas spanning half a century.However,the spatial elements in the film also demonstrate important narrative functions.The cinema,square,and windows are three important spatial images in the film,and their conflicts and connections reflect the changes in people’s real living conditions over the past thirty years.As a utopia in the realm of reality,cinema has undergone a transformation in its way of existence from a“land of redemption”to a“land of desire”and then to a“wasteland”.Its essence is the transformation of the human soul and the way reality exists.The square presents a harsh reality of cold light,contrasting with the magnificent and false ideals of the cinema.As a bridge connecting ideals and reality,windows are a perfect reflection of the anxious state of people struggling between ideals and reality.

关 键 词：《天堂电影院》 空间 福柯 巴赫金 

分 类 号：J905[艺术—电影电视艺术]