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作 者:安汝杰 AN Ru-jie(Faculty of Physical Education,Pingdingshan University,Pingdingshan,Henan 467000,China)
出 处:《集宁师范学院学报》2024年第3期110-115,共6页Journal of Jining Normal University
摘 要:每一拳势的运动图像都有它的时间范域,如顿脚动作的快速时间流与引体向上的长时“播放”显然有着不同的时间哲学特征。此在的时间特征就是当下在场,并且这种当下在场是该拳势的运动图像给予的唯一时间域,其特性属于直观,运动图像的同一性也在此直观中得以确证。连续的前提是“间断”;间断的意识流使以同一性为特征的运动图像的具体形式得以可能,由此支撑同一性、整体性的概念现实性就是“具体”,而具体就是有个别性的全体或特殊性的普遍。普遍性在其作为个体性否定面的同时也是同一性,也正是这种同一性使运动图像成为独一无二的“这一个”,这一个就是整个拳势运动图像的意识内容。习拳者的直觉能力对运动图像的意识内容有着清晰的把握,这种把握在异化的意义上对拳势的个体性予以否定,以使当下形成的运动图像的意识内容通往普遍性,也正是在普遍性里个别的图像才一般是“运动的”。直觉活动和构造行为是习拳者规定运动图像序列的合目的性的“同一行为”,其目的性也内在地含有合规律性的构图要求。Each movement imagery of Yiquan has its own temporal domain.For example,the quick temporal flow of a stomping action and the prolonged"playback"of a pull-up have distinctly different temporal philosophical characteristics.The temporal characteristic of Dasein is its presence in the moment,and this presence is the only temporal domain given by the movement imagery of the punch form.This characteristic belongs to intuition,and the sameness of movement imagery is confirmed within this intuition.Continuity presupposes"discontinuity";the stream of discontinuous consciousness makes the specific forms of movement imagery characterized by sameness possible.The reality that supports the concepts of sameness and wholeness is"concreteness,"which is the totality of individuality or the universality of particularity.Universality,while being the negation of individuality,is also the sameness that makes movement imagery uniquely"this one."This one is the conscious content of the entire punch form's movement imagery.The intuitive ability of the practitioner has a clear grasp of the conscious content of movement imagery.This grasp negates the individuality of the punch form in an alienated sense,allowing the conscious content of the formed movement imagery to lead to universality.In universality,individual imagery is generally"moving."Intuitive activities and constructing actions are the practitioner's purposeful"unified actions"that define the sequence of movement imagery,with inherent compositional requirements of regularity.
分 类 号:G80-05[文化科学—运动人体科学]
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