正面、侧面、背面:关于关紫兰艺术文献展研究初探  

Front,Side,and Back:A Preliminary Study of Guan Zilan's Art and Document Exhibition

作　　者：马艳 Ma Yan

机构地区：[1]朱屺瞻艺术馆

出　　处：《艺术当代》2024年第2期18-25,共8页Art China

摘　　要：关紫兰是民国时期著名的女性画家,以其色彩大胆的绘画风格著称,在艺术界享有盛誉.但由于作品流传较少,她作为画家的形象相对模糊,对其研究也一直匮乏.为纪念关紫兰诞辰一百二十周年,关紫兰艺术文献展通过文献学、艺术风格学和视觉文化的研究方法,深入进行个案研究.本文基于文献展的策展思路,以"正面""侧面"和"背面"三个部分,探讨了关紫兰的学艺历程、艺术风格的转变以及与时代背景的联系,全面呈现了关紫兰的艺术成就和个人形象,以及她在中国近现代美术史中的重要地位.Guan Zilan is a famous female painter in the period of Republic of China.She is famous for her bold painting style and enjoys a high reputation in the art world.However,due to the small circulation of her works,her image as a painter is relatively vague,and the study of her has been scarce.In order to commemorate the 120th anniversary of Guan Zilan's birth,Guan Zilan's Art and Document Exhibition conducts as an in-depth case study through the research methods of philology,art stylistics and visual culture.Based on the curatorial ideas of the exhibition,this paper discusses Guan Zilan's artistic journey,the transformation of her artistic style and the connection to the era's background in three parts:"front","side"and"back",and comprehensively presents Guan Zilan's artistic achievements and personal image,as well as her important position in the history of Chinese modern art.

关 键 词：关紫兰 中国油画 中西融合 女性艺术家 现代性 

分 类 号：J205[艺术—美术]