蒙太奇与潜隐的情念:寻访爱森斯坦  

Montage and Hidden Pathos:Seeking Eisenstein

作　　者：付帆[1] Fu Fan

机构地区：[1]中国美术学院电影学院

出　　处：《艺术当代》2024年第2期26-30,共5页Art China

摘　　要：爱森斯坦作为在电影创作和理论探索的交织互动中双向耕耘的巨匠典范,其对蒙太奇艺术的贡献深刻影响了电影的美学形态,并生动揭示了影像与世界之间理性的辩证力量.本文从爱森斯坦电影的历史创作观着手,回溯其代表作品作用于革命现实与观众激情的观念建构,梳理以辩证法为基础的蒙太奇理论在影像构成、结构方法与表意层次上所具有的方法论意义.Eisenstein,as a masterwho has cultivated and interacted in both film creation and theoretical exploration,deeply influenced the aesthetic form of film with his contributions to the art of montage,vividly revealing the rational dialectical power between images and the world.This article starts with the historical creative view of Eisenstein's films,retracingthe conceptual construction of his representative works on revolutionary reality and audience passion,and systematically examiningthe methodological significance of dialectical montage theory in terms of image composition,structural methods,and levelsof expression.

关 键 词：爱森斯坦 历史叙述 蒙太奇理论 辩证法 

分 类 号：J905[艺术—电影电视艺术]