歌诗、声调和真诗:明代复古派对诗乐一体传统的复归与转化  

Song poetry,tone,and true poetry:The restoration and transformation of the integrated tradition of poetics and music in the Ming Dynasty

作　　者：袁宪泼 YUAN Xianpo(School of Literature,Tianjin Normal University,Tianjin 300387,China)

机构地区：[1]天津师范大学文学院,天津300387

出　　处：《中南大学学报（社会科学版）》2024年第4期192-201,共10页Journal of Central South University：Social Sciences

基　　金：国家社科基金一般项目“明代‘琴棋书画’的文学书写研究”(22BZW090)。

摘　　要：在明代复古派的诗学体系中,诗与乐的关系是一个重要的理论命题。复古派一直在试图复归诗乐一体的古老文艺传统,以琴和诗,击节高歌,仿拟琴操,延续歌诗的演唱技巧和诗歌体制。而对于近体诗,他们以唐调为标杆,探究格律的声韵吟咏之美。真诗在民间,则是他们对古诗乐传统的现实调整,一方面强调真情,一方面利用新声,在情与乐的和谐中,实现诗乐一体的现实回归。由此,歌诗、声调和真诗成为明代复古派诗学音乐性追求的三条重要路径。In the poetics system of the Retro School in the Ming Dynasty,the relationship between poetry and music is an important theoretical proposition.The Retro School has been trying to return to the ancient literary and artistic tradition of integrating poetry and music,using the qin and poetry,singing loudly at intervals,imitating the qin exercises,and continuing the singing techniques and poetic system of songs and poetry.As for modern-style poetry,it takes the Tang tune as a benchmark to explore the beauty of rhyme and intonation in rhythm.True poetry in the folk is their adjustment to the traditional reality of ancient poetry and music.On the one hand,they emphasize true emotions,and on the other hand,they use new sounds to achieve a realistic return to the unity of poetry and music in the harmony of emotions and music.Therefore,song poetry,tone,and true poetry become three important paths for the Retro School in the Ming Dynasty to pursue the musicality of the poetics.

关 键 词：歌诗 唐调 声调 真诗 

分 类 号：I207.22[文学—中国文学]