1960年代中国艺术家的海外境遇——以张大千与王济远的交流为例  

The Situation of Overseas Chinese Artists in the 1960s:The Exchanges Between Chang Dai-chien and Wang Chi-yuan as an Example

作　　者：包洋 施茜 Bao Yang;Shi Qian

机构地区：[1]南京师范大学

出　　处：《国际汉学》2024年第4期100-109,158,159,共12页International Sinology

基　　金：国家社科基金艺术学项目“16-19世纪中国陶瓷工艺文化的海外传播研究”(项目编号:23BG122)的阶段性成果。

摘　　要：1960年代是特殊的时段,是困境也是挑战。在中国美术谱系中,艺术家海外美术实践受到美国对华政策的影响,面临着挑战与机遇。张大千与王济远的交流以举办展览、讲座、交流及收藏等活动,为身在海外的中国艺术家开辟新路。本文以张大千致王济远信札笺释为主线,梳理两人的交流路径中所溢出的美术相关问题,考察1960年代从美术事件到中国书画收藏热与两人交流中所映射的社交圈相关问题,探讨华笔书画学院与美国美术机构的合作所映射的影响,探析中国艺术家的海外境遇。The 1960s was a special time of both dilemmas and challenges.In terms of both dilemmas and opportunities in the area of Chinese art,the practice of art by overseas Chinese artists was influenced by American policies towards China.The exchanges between Chang Dai-chien and Wang Chi-yuan opened new paths for Chinese artists abroad through exhibitions,lectures,exchanges,and collections.Using Chang Dai-chien’s letters to Wang Chi-yuan,this paper sorts out the art-related issues arising from their exchange.It also analyzes the issues related to the social circles of Chang and Wang arising from the art events of the 1960s and the excitement about Chinese painting and calligraphy collections.Furthermore,this study explores the impact of the collaboration between the School of Chinese Brushwork and American fine art institutions,investigating the overseas situation of Chinese artists.

关 键 词：张大千 王济远 信札 华笔书画学院 

分 类 号：J203[艺术—美术]