由祭品、乐器、礼品到工艺美术品——云南古代铜鼓的社会作用与功能流变  

From Offerings,Musical Instruments,Gifts to Arts and Crafts:The Social Role and Functional change of Ancient Yunnan Bronze Drums

作　　者：杨民康 Yang Minkang

机构地区：[1]云南艺术学院 [2]哈尔滨音乐学院 [3]中国音乐学院 [4]中央音乐学院

出　　处：《云南艺术学院学报》2024年第2期15-26,共12页

基　　金：2020年国家社科基金艺术学课题“南方跨界族群音乐民族志的理论建设和选点、比较研究”(项目编号:20BD068)阶段性成果。

摘　　要：以铜鼓为代表的古滇青铜艺术经历了“混沌→分化→整合”的不同发展阶段,它极大地影响了中国南方少数民族音乐与东南亚音乐和乐器历史的形成和发展进程,这种影响至今显现于各个区域传统乐舞表演系统和相关的视觉艺术发展领域。作为研究者面对该类非物质文化遗产,亟需认清我们处于中国南方与边疆地区重要门户这个基本文化方位,有必要针对目前研究思维和方法受限、层面单一的现况,发挥综合艺术院校的多门类、全息性学科优势,引入跨学科、新文科研究和区域国别艺术文化研究等思路和方法,加强对内铸牢中华民族文化共同体和对外共商共筑人类命运共同体的文化意识,使之在我们的学术研究及其当代应用过程中发挥出协同、整合的功能作用。The bronze art of ancient Yunnan,represented by bronze drums,has gone through different stages of development of"chaos→differentiation→integration",which greatly influenced the formation and development of the music and instrumental history of the ethnic minorities in southern China and Southeast Asia.This influence is still evident in the traditional music and dance performance systems and related visual art development in various regions.As a researcher facing this kind of intangible cultural heritage,it is urgent to recognize the basic cultural position that we are at the important gateway between southern China and the border areas.Given the limitation and simplification of current research thinking and methodology,it is necessary to take advantage of multi-disciplinary and holographic disciplines of comprehensive art schools in order to bring in the ideas and methods of interdisciplinary,new liberal arts research,and regional and country-specific art and cultural studies,so as to strengthen the cultural consciousness of forging a Chinese national cultural community internally and building a community of human destiny externally,so that it can play a synergistic and integrative role in our academic research and its contemporary application.

关 键 词：铜鼓 古滇青铜艺术 非物质文化遗产 文化变迁 

分 类 号：J632.59[艺术—音乐]