说唱艺术打蛮船拾遗及其文化解析  

The Talking-singing Art of Damanchuan and Its Cultural Analysis

作　　者：颜铁军 Yan Tiejun

机构地区：[1]湖州师范学院音乐学院

出　　处：《云南艺术学院学报》2024年第2期37-46,共10页

摘　　要：打蛮船是清代后期产生于河南的一种以乞讨为目的,艺人斜驾蛮船单人表演的说唱艺术。伴随着北方人口南迁,这种艺术传播到环太湖流域。本文以打蛮船艺人盛志林为个案,运用田野调查法、比较法、口述史对其技艺的历史渊源、师承谱系、文化内涵、表演特征、传承传播等方面进行梳理,结合人口迁移学、表演人类学口头表演理论,阐释打蛮船即兴说唱的表演方法、禳灾祈福的民间信俗以及民间表演的整体文化记忆。希望通过研究,展现这种非遗技艺与文化,引发社会对其传承的关注与思考。Damanchuan is a kind of talking-singing art produced in Henan Province in the late Qing Dynasty for the purpose of begging and it was performed by a singer who was driving the Damanchuan boat along.Along with the migration of people from the north to the south,this art spread to the Taihu Lake area.This paper takes Sheng Zhilin,a Damanchuan artist,as a case study,and utilizes fieldwork method,comparative method and oral history to sort out the historical origin,lineage of masters,cultural connotation,performance characteristics,inheritance and dissemination of the art.Combining the theories of population migration and the oral performance of performance anthropology,this paper illustrates the improvised performance folk beliefs of praying for luck and the avoidance of calamities,and the overall cultural memory of the folk performance.It is hoped that this kind of intangible cultural heritage skill and culture will be promoted and society's concern about its inheritance can be aroused.

关 键 词：表演人类学 说唱艺术 打蛮船 口头传承 

分 类 号：J644[艺术—音乐]