景观句法下涂鸦艺术在工业遗产更新中的设计修辞手法探析——以成都市东郊记忆为例  

A Study on the Visual Construction Strategy of Street Graffiti Art In Urban Industrial Heritage Regeneration under Landscape Syntax:The Case of Eastern Suburb Memory in Chengdu City

作　　者：吴翠 王丽梅 Wu Cui;Wang Limei(Collegeof Art&Design,Xihua University,Chengdu 610039,China)

机构地区：[1]西华大学美术与设计学院,成都610039

出　　处：《艺术与设计（理论版）》2024年第7期119-122,共4页Art and Design

摘　　要：如何在城市工业遗产更新过程中融合场地精神、历史文脉与现代商业是近来公共空间设计的研究热点。理论上,运用彼得·拉茨提出的“景观句法”,结合语言符号学中“形象-文本”的辩证关系,建立适用于城市工业遗产更新的人文景观建构模式;现实中,以成都市东郊记忆艺术区为例,从城市青年的审美视角,选取街头涂鸦艺术作为景观设计修辞方法,剖析其在城市工业遗产更新中比喻与叙事的修辞表达,以期为城市工业遗产更新的公共艺术设计提出具有人文性、现代性和历史文脉性的视觉建构思路。How to integrate the spirit of the site,historical heritage and modern commerce in the process of urban industrial heritage regeneration is a recent research hotspot in public space design.In theory,based on the"landscape syntax"proposed by Peter Latz,combined with the dialectical relationship of"image-text"in linguistic semiotics,a humanistic landscape construction modelapplicable to the renewal of urban industrial heritage is established.Taking the Eastern Suburb Memory in Chengdu City as an example,the artist selects street graffiti art as a rhetorical method of landscape design from the aesthetic perspective ofurban youth,and analyses its rhetorical expression of metaphor and narrative in the renewal of urban industrial heritage,with a view to proposing ideas for the visual construction of public art design in the renewal of urban industrial heritage with humanism,modernity and historical cultural lineage.

关 键 词：景观句法 设计修辞 工业遗产 更新 街头涂鸦艺术 图像叙事 

分 类 号：TU986.1[建筑科学—城市规划与设计]