论冯子振《梅花百咏》中的“梅”意象  

On the“Plum”Image in Feng Zizhen’s“Hundred Odes to Plum Blossoms”

作　　者：黄丽俐 曹方奕 Huang Lii;Cao Fangyi(Hunan University of Science and Technology,Xiangtan,411201,China)

机构地区：[1]湖南科技大学,湘潭411201

出　　处：《语言与文化研究》2024年第5期250-253,共4页Language and Culture Research

基　　金：湖南省教育厅优青项目“《湖南文征》的辑纂特色与文史价值研究”(项目编号:21B0461);湖南省社科青年项目“清代湖南文章总集基层写作形态与湖湘文史重构研究”(项目编号:21YBQ063);湖南省教育厅优秀青年项目“东汉中后期文学平民化与世俗化研究”(21B0498)的阶段性成果。

摘　　要：元代湖湘文人冯子振是元代著名文学家,《梅花百咏》是他文学作品中较为完整的一系列咏梅诗的集合。通过探究《梅花百咏》中的“梅”意象,可以发现冯子振赋予了梅花别样特色,若美人、神女、妃子般姿态美丽,若君子般不畏严寒、不与桃李争奇斗艳,又若隐士般远离尘世、清高孤独。同时他也借“梅”抒发自己向往隐逸生活、热爱自然的意向,表明自己有着正直坚韧的内心。以《梅花百咏》为观照对象,不仅可以发现梅花的多种特质,还可以深入探析冯子振的思想内蕴。Feng Zizhen,a literati from Hunan during the Yuan Dynasty,was a famous literary figure.“Hundred Odes to Plum Blossoms”is a relatively complete collection of plum blossom poems in his literary works.By exploring the imagery of“plum”in“Hundred Odes to Plum Blossoms”,it can be found that Feng Zizhen has endowed plum blossoms with unique characteristics.They are as beautiful as beauties,goddesses,and concubines,as if a gentleman is not afraid of the cold,does not compete with peaches and plums,and is as aloof and lonely as a hermit.At the same time,he also expressed his desire for a reclusive life and love for nature through“Mei”,demonstrating his honest and resilient inner self.Taking“Hundred Odes to Plum Blossoms”as the object of observation,not only can we discover the various characteristics of plum blossoms,but we can also deeply explore the ideological connotations of Feng Zizhen.

关 键 词：《梅花百咏》 “梅”意象 类型 功能 

分 类 号：I20[文学—中国文学]