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作 者:秀英 哈申高娃 Xiuying;Khasgoo(School of Mongolian Studies,Inner Mongolia Normal University,010022)
出 处:《中国蒙古学(蒙文)》2024年第3期180-187,219,共9页CHINA MONGOLIAN STUDIES
摘 要:《格斯尔》史诗是蒙古族古代文学三大高峰之一,也是中国三大史诗之一。《格斯尔》史诗通过文字记载、口头传承和电子媒体等多种途径,进一步广泛传播与再创作。《格斯尔》再创作形式包括书面文本的改编、民间艺人的创新演绎,以及广播剧、画册、音乐、网络游戏等多种艺术形式。这一过程不仅丰富了史诗的文本内容,而且便利了民众民族优秀传统文化欣赏和传承,以更为艺术化的方式展现了蒙古族人民的生产生活、宗教信仰和风俗习惯等传统文化要素,为精神文化建设注入了新的活力,也为《格斯尔》史诗这一非物质文化遗产的传承、保护、发展与研究,提供了更为广阔的创新空间。Geser is one of the three peaks of ancient Mongolian literature and one of the three epics of China.Through written records,oral inheritance and electronic media,the epic of Geser has been further spread and re-created.The forms of re-creation of Geser include the adaptation of written text,the innovative interpretation of folk artists,and a variety of art forms such as radio drama,picture album,music and online games.This process not only enriched the text content of the epic,but also facilitated the appreciation and inheritance of the fine traditional culture of the people.It showed the traditional cultural elements of the Mongolian people's production and life,religious beliefs,customs and other traditional cultural elements in a more artistic way,and injected new vitality into the spiritual and cultural construction.It also provides a broader innovation space for the inheritance,protection,development and research of the intangible cultural heritage of GeserEpic.
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