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作 者:王子越 WANG Ziyue(City University of Macao,Macao 999078,China)
机构地区:[1]澳门城市大学,中国澳门999078
出 处:《鞋类工艺与设计》2024年第14期134-136,共3页SHOES TECHNOLOGY AND DESIGN
摘 要:东方古典园林通过“虚实相生”“小中见大”“动静结合”等空间处理手法,在造园实践中巧妙地营造空间流动性的意境,达到时空连续、情景交融的艺术效果。东方造园这种对园林空间的灵活分割、对观赏路线空间意境的营造,与密斯现代建筑“流动空间”的营造有异曲同工之妙。本研究以苏州拙政园及巴塞罗那德国馆为例,就其空间序列及空间流线等角度进行分析,探究东方古典园林与西方现代建筑“流动空间”的相似性,使这两者的空间地域性特征弱化,使空间本身特征得以彰显。Oriental classical gardens,through the spatial processing techniques of“virtual and real”,“small in big”“combination and of static and static”,skillfully create the artistic conception of spatial mobility in the practice of gardening,so as to achieve the artistic effect of continuous space and situation integration.The flexible division of the garden space and the creation of the artistic conception of the ornamental route is similar to the construction of the“flowing space”of the modern architecture.Taking the Humble Administrator's Garden in Suzhou and the German Pavilion in Barcelona as an example,this study analyzes the spatial sequence and spatial streamline to explore the similarity between the“flowing space”of oriental classical gardens and western modern architecture,which weakens the regional characteristics of the two and highlights the characteristics of the space itself.
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