文学体制变迁与成长深化难题——1949年前后孙犁的“创作瓶颈”考论  

The Growth dilemma with the changes in literary system——Research on Sun Li’s“creative bottleneck”around 1949

作　　者：宋文坛[1] Song Wentan(College of Chinese Literature,Bohai University,Jinzhou 121001,China)

机构地区：[1]渤海大学文学院,辽宁锦州121001

出　　处：《辽宁师范大学学报（社会科学版）》2024年第4期121-126,共6页Journal of Liaoning Normal University(Social Science Edition)

基　　金：辽宁省社会科学基金自选项目“文学会议视域下当代文艺领导体制发展史研究”(L20DZW001)。

摘　　要：孙犁1949年前后的小说创作面临着自我转型和风格调整的难题。他试图打破早期创作形成的道德审美化写作模式,但无论在现实书写、抒情风格调整还是人物塑造以及长篇写作上都遇到了困难,也遭遇了批评话语的质疑。孙犁的创作瓶颈既源于自身,又来自时代。他个性的柔弱与文学准备的不足限制了其文学雄心的展开,新中国成立后文学制度的变迁又使他的写作面临巨大的评价压力,创作的深化与自我的成长便成了难题。Sun Li’s novel creation before and after the founding of the People’s Republic of China faced challenges of self transformation and style adjustment.He attempted to break the moral aesthetic writing model formed in his early creations,but encountered difficulties in realistic writing:lyrical style adjustment,character shaping,and novel writing,as well as criticism from critical discourse.Sun Li’s creative bottleneck stems from both himself and the times.His weak personality and insufficient literary preparation limited the development of literary ambition.The changes in the literary system after the founding of the People’s Republic of China put enormous evaluation pressure on his writing,and the deepening of his creation and personal growth became difficult problems.

关 键 词：孙犁 美善统一 创作瓶颈 文学制度 

分 类 号：I206[文学—中国文学]