明清文人书写中的才女成仙叙事及其文化意蕴  

The Narrative of Talented Women Becoming Immortals in the Ming and Qing Literati Writings and Cultural Implications

作　　者：陈晨 Chen Chen

机构地区：[1]同济大学国际文化交流学院,上海200092

出　　处：《南开学报（哲学社会科学版）》2024年第4期10-18,共9页Nankai Journal:Philosophy,Literature and Social Science Edition

基　　金：国家社会科学基金后期资助项目(23FZWB055)。

摘　　要：从叶小鸾等明清才女的成仙叙事中,可窥见这一女性类型被不断重构的过程,其中包含文人对历史女性的追忆,融入了他们对才女的期待与憧憬。与奇异仙踪、启示性的梦境、扶乩活动相关的文学想象和创作是才女仙化的重要途径。才女的成仙想象不仅传达出女性自身脱离现世伦理关系羁绊、保存个体精神生命的意愿,也显示出明清文人对才女的审美与死亡观照,映射出其时女性生存与创作的真实处境。“无叶堂”等异界仙境的建构,投射了才女理想化的生存和创作状态,同时也承载着男性审视的目光与梦幻遐想。From the narratives of talented women becoming immortals,such as those of Ye Xiaoluan and other Ming and Qing women,we can glimpse the process of continuous reconstruction of this female archetype.This includes literati’s recollections of historical women,infused with their expectations and aspirations for talented women.The literary imagination and creation related to mystical immortal traces,revelatory dreams,and spirit-writing activities were important means for the immortalization of talented women.The imagination of talented women becoming immortals not only conveyed their desire to break free from secular ethical bonds and preserve their individual spiritual life,but also reflected the Ming and Qing literati’s aesthetic and contemplative views on the death of talented women.This mirrored the real-life circumstances of women’s existence and creation at that time.The construction of otherworldly paradises such as“The Leafless Hall”(无叶堂)projected the idealized living and creative state of talented women while also bearing the scrutinizing gaze and fantastical reveries of men.

关 键 词：明清文人书写 才女 成仙叙事 文化意蕴 

分 类 号：K248[历史地理—历史学] I206.2[历史地理—中国史]