人类音乐的“祛魅”与“复魅”——评《音乐人类:一种地球上的生命史》  

The"Disenchantment"and"Reenchantment"of Human Music:A Review of Musical Man:A History of Life on Earth

作　　者：杨宗颖 Yang Zongying

机构地区：[1]四川音乐学院

出　　处：《乐府新声（沈阳音乐学院学报）》2024年第2期58-68,共11页The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)

摘　　要：《音乐人类:一种地球上的生命史》是迈克尔·斯皮策(Michael Spitzer)撰写的一部全面而深刻的音乐历史类著作,旨在以全球视野探究人类与音乐、自然的互动关系。通过梳理全书的写作逻辑和章节布局,可试图从中挖掘出该书“去中心化”的写作基调;通过对本书所采用的多学科视角进行评述,可以看出作者追溯了音乐在人类生命、历史和进化中的作用和意义,从而实现对传统音乐史观的“祛魅”。此外,通过展示音乐如何在互动中影响和定义人类自身,不仅为我们理解音乐在人类生命中的意义提供了新的视角,也看出作者试图对人类自然音乐性进行“复魅”。The Musical Man:A History of Life on Earth is a comprehensive and insightful history of music by Michael Spitzer,aiming to explore human interaction with music and nature from a global perspective.By combing the writing logic and chapter layout of the book,we can try to dig out the"decentralized"writing tone of the book;By reviewing the multi-disciplinary perspective adopted in this book,we can see that the author traces the role and significance of music in human life,history and evolution,so as to achieve the"disenchantment"of the traditional view of music history;In addition,by showing how music influences and defines human beings in their interactions,it not only provides a new perspective for us to understand the meaning of music in human life,but also sees the author's attempt to"reinstate"human nature musicality.

关 键 词：迈克尔·斯皮策 《音乐人类:一种地球上的生命史》 祛魅 复魅 

分 类 号：J605[艺术—音乐]