保尔·克洛岱尔中国书写中的自然书写与和谐之道  

On Nature Writing and Harmony in Paul Claudel’s Chinese Writing

作　　者：楚歌 Chu Ge(Department of French at the College of Foreign Languages,Zhejiang Normal University,Jinhua 321004,China)

机构地区：[1]浙江师范大学外语学院

出　　处：《外国语文研究》2024年第3期51-61,共11页Foreign Language and Literature Research

基　　金：国家社会科学基金青年项目“保尔·克洛岱尔的中国书写与文化对话研究”(项目编号:22CWW018)的阶段性成果。

摘　　要：保尔·克洛岱尔是20世纪最早向西方介绍中国的法国作家之一,其创作于中国时期的多部散文诗集皆带有浓郁的自然田园色彩。无论是以山石树木作为人类变体,还是借由秋收冬藏之景表达作家的精神图景,克氏诗歌的表达方式都较为符合《文心雕龙》里所论及的中国写景文艺传统。不拘于此,克氏于观察自然中提炼出的诗艺理论又颇为契合石涛《画语录》中的“脱胎”一说。种种形式上的巧合将我们引向了克氏的和谐之道与道家思想关系的讨论。尽管作为基督教徒的克氏难以吸纳老庄的所有思想,但其作品中呈现的积极文化对话场景,无疑为需要探索族群之间和解之道的今天提供了良好范例。Paul Claudel is one of the first French writers to introduce China to the West in the 20th century.His several prose and poetry collections created in the Chinese period all have a strong pastoral color.Whether it is using mountains,rocks and trees as human variants,or expressing the writer’s inner fluctuations through the scenery of autumn harvest and winter collection,the expression of these poems is always similar to the Chinese literary and artistic tradition discussed in Wenxindiaolong.Not only that,but also the theory of poetic art refined from his observation of nature unintentionally coincides with the theory of“rebirth”in Shi Tao’s Comments on Painting.Various forms of coincidence lead us to the discussion of the relationship between Paul Claudel’s theory of harmony and Taoism.Although,as a Christian,Paul Claudel is difficult to absorb all the ideas of Laozi and Zhuangzi without reservation,the positive cultural dialogue scenes presented in his works undoubtedly provide a good example for today when it is necessary to explore the reconciliation between different ethnic groups.

关 键 词：保尔·克洛岱尔 中国书写 自然意象 和谐 

分 类 号：I565.06[文学—其他各国文学]