鲁迅与中国新兴版画的“抗战性”  

Lu Xun and“Resistance”of Emerging Chinese Printmaking

作　　者：黄乔生[1] HUANG Qiaosheng(Beijing Lu Xun Museum,Beijing 100034,China)

机构地区：[1]北京鲁迅博物馆,北京100034

出　　处：《杭州师范大学学报（社会科学版）》2024年第4期55-62,共8页Journal of Hangzhou Normal University(Humanities and Social Sciences)

摘　　要：中国新兴版画是在鲁迅的倡导和培育下发展起来的,与20世纪上半叶中国兴盛的社会主义思潮合流,与具有抗争意识的左翼运动和已经开始的抗日战争同步。鲁迅去世后,新兴版画的反抗性在抗日战争中得到充分展现,达到成熟。“抗战性”是中国新兴版画与生俱来的特性,在新兴版画发展过程中发挥了巨大作用,产生了深远的影响。China's emerging printmaking was developed under the advocacy and cultivation of Lu Xun,merging with the socialist trend that flourished in China in the first half of the 20th century,and synchronizing with the left-wing movement with a sense of resistance and the War of Resistance Against Japan that had already begun.After Lu Xun's death,the rebellious nature of emerging printmaking was fully demonstrated and matured during the War of Resistance Against Japan.“Resistance”is an inherent characteristic of China's emerging printmaking,which has played a huge role in its development and had a profound impact.

关 键 词：鲁迅 新兴版画 抗战性 珂勒惠支 

分 类 号：I210[文学—中国文学]