玛格丽特·阿特伍德“疯癫亚当”三部曲的灾疫书写  

Destruction and Rebirth:The Eco-Apocalyptic Writing of Margaret Atwood's"MaddAddam"Trilogy

作　　者：张英[1] ZHANG Ying

机构地区：[1]苏州大学文学院

出　　处：《国外文学》2024年第2期152-160,共9页Foreign Literatures

摘　　要：20世纪加拿大文坛巨擘玛格丽特·阿特伍德,通过集结的人物与延续的主题,相继撰写了“疯癫亚当”反乌托邦三部曲,建构了“无水的洪水”爆发前后的完整灾疫书写。主流与边缘以及圣经式的三元对立社会中,女性沦为男性中心统治下的第二性,疫情席卷全球造成了毁灭。科技导致自然物种的伦理界限消弭,人类在社会生态系统中大规模灭绝,形成了精神的真空与行为的无能以及存在的疏离等危机。蓝色生殖延续了后现代社会的生命形式,文化记忆传承了人类的传统文明历史,人类和植物、动物共同推动了整个生物圈的重生。玛格丽特·阿特伍德的《疯癫亚当》三部曲的灾疫书写,不仅传达了对当代人类生存的警示,同时也投射了对未来社会发展的愿景。Margaret Atwood,a giant Canadian writer in the 2oth century,wrote the anti-utopian trilogy of"MaddAddam"through an assemblage of characters and with continuous themes,and constructed her apocalyptic novels spanning before and after the outbreak of the"waterless flood".In the triadic opposition of the mainstream,marginalized and biblical societies,women were reduced to the other under male domination when the epidemic ravaged the world.Science and technology caused the elimination of ethical boundaries between the species and mass human extinction in the social-ecological system,resulting in an ecological crisis:vacuum of spirit,incompetence in behavior and alienation.Blue reproduction extended the life form of the post-modern society,and cultural memory revived traditional civilization,maintaining the whole biosphere for all animals and plants.The apocalyptic writing of Margaret Atwood's"MaddAddam"trilogy not only conveys the warning for human survival,but also reflects a hopeful vision of future social development.

关 键 词：玛格丽特·阿特伍德 “疯癫亚当”三部曲 灾疫 毁灭 重生 

分 类 号：I711.074[文学—其他各国文学]