明清小说景物描写的生态维度考察  

Ecological Dimension of Scene Description in Novels of Ming and Qing Dynasties

作　　者：王颖[1] Wang Ying

机构地区：[1]沈阳师范大学文学院

出　　处：《理论界》2024年第7期86-93,共8页Theory Horizon

基　　金：2018年辽宁省社会科学规划基金项目一般项目(L18BZW001)的研究成果。

摘　　要：明清小说描绘的景物既有纯粹的自然景观,又有人类活动参与的人文景观,它们往往彼此交融,共同构成了与人的生存困境、生存理想相关联的生态图景。这些生态图景是明清时期文人对人与自然、人与社会及人与自我相关命题的具象思考,其中蕴含了人与自然和谐共生的生态观、人与社会和平共处的生存理想、人与自我和解的终极理路——建构精神家园等生态思想。明清小说对生态图景的艺术观照,既是对古代小说生态书写传统的继承、发扬,又对当今的生态文明建设有着重要的启示作用。The scenery depicted in the novels of Ming and Qing dynasties is both pure natural landscape and humanistic landscape with the participation of human activities, These two elements often blend together to form an ecological picture that relates to the dilemma and ideal of human survival.These ecological landscapes represent the concrete thoughts of literati during the Ming and Qing dynasties on topics related to man and nature, man and society, and man and self. They contain ecological ideas of harmonious coexistence between man and nature, the survival ideal of peaceful coexistence between man and society, as well as the ultimate rational path towards reconciling oneself-constructing a spiritual home. The artistic consideration of ecological landscape in these novels not only inherits and develops the tradition of ecological writing in ancient novels but also plays an important role in today's construction of ecological civilization.

关 键 词：明清小说 生态图景 蕴含 意义 

分 类 号：I106[文学—世界文学]