新文化地理学视角下的《山海经》昆仑与洛水意象研究  

A Study of Kunlun and Luoshui Imagery in the Shanhaijing from the Perspective of New Cultural Geography

作　　者：罗仁人 Luo Renren

机构地区：[1]复旦大学历史学系

出　　处：《理论界》2024年第7期94-100,共7页Theory Horizon

基　　金：国家民委民族研究自筹项目“晚清新疆交通体系变迁与边疆治理研究”(2021-GMD-070)的研究成果。

摘　　要：源于《山海经》的昆仑与洛水景观,其文化内涵在历史和文学语境中经历了复杂多样的演变过程。从新文化地理学中对景观象征性意义的研究视角出发,发现昆仑意象从神话象征过渡到有形实体,再回归其象征性,促成了其在宗教信仰、边疆地理、堪舆学等不同维度的多元发展。相比之下,地处中原河洛地区的洛水意象,则从具象空间发展为文化景观,文人的志向、情感及思想在这一过程中占主导地位。这两组意象的演变,不仅丰富了景观的文化意义,也反映了不同情境下的时空特征。The cultural meanings of the Kunlun and Luoshui, which originate from the Shanhaijing, have undergone a complex and varied process of evolution in historical and literary contexts. From the perspective of research on the symbolic meaning of landscapes in new cultural geography, it is found that the transition of Kunlun imagery from mythological symbols to tangible entities and then back to its symbolic nature has contributed to its pluralistic development in different dimensions, such as religious beliefs, frontier symbols,and geomancy. In contrast, the imagery of Luoshui, situated in the Heluo region of the Central Plains, has shifted from a real depiction to an imaginative representation, where the dreams, emotions, and thoughts of literati take precedence. The evolution of both sets of imagery not only enriches the cultural significance of their geographic origins but also reflects the unique contextual characteristics of each era.

关 键 词：山海经 文化景观 地理意象 昆仑 洛水 

分 类 号：I206[文学—中国文学]